My path in programming began from the margins: from silent and classic films, thanks to my training in a cinematheque, and from experimental and artists' cinema, the first area in which I had the opportunity to seriously try my hand as a curator.
Later, I refined my practices and knowledge by working with short films and especially documentaries, often in thematic programs and festivals, such as on current affairs and human rights, art and literature, nature and the environment.
All the way to the opportunity to work on the scouting, selection and programming of feature films and increasingly prominent productions in the context of high-profile festivals, with premieres and competitive sections, and the resulting corollary of guests, professionals and press.
This experience also allowed me to mature as a script, editing and festival strategy consultant, both in the context of dedicated events and personally on specific films and projects, and as a moderator for panels, talks and Q&As.
Parallel to my involvement in festivals and as an industry expert, my commitment to unorthodox film distribution and my interest in the dissemination of cinema through new media have grown.
The dialogue between genres and styles, across periods, formats and channels, to bring the most diverse cinema to audiences, remains my passion and goal.